Cover Art: Joseph DiStefano, E=mc^2


Copy Art


Copy art is art made with the aid of a photocopier. Since 1970 there have been at least a dozen books and scores of exhibitions devoted to copy art. There is a society of copy artists (International Society of Copier Artists, 800 West End Ave., Suite 13-B, New York, NY 10025), a quarterly journal (Arnyekkotok, 1034 Budapest, Timar u. 17. fsz. 3), and even a museum of copy art, the Museo Internacional de Electrografia in Cuenca, Spain. I have not found that much copy art on the Web, just a scholarly bibliography and Klaus Urbon's retrospective (recommended). The allied forms of Artistamps and Mail Art currently have a greater Web presence.

Why use photocopiers to make art? One reason is simply to produce multiples of a picture. Photocopiers offer immediate low-cost reproduction, making copy art a spontaneous and democratic art form. Copy art is often exchanged as mail art outside the official forums of galleries and shows.

Photocopiers find more sophisticated use in collage, as they enable found images to be easily resized and combined. As artist Shirley Watts puts it, "A photocopy machine turns an artist into a hunter-gatherer". Joe DiStefano's piece above is a mixture of collage and painting, in which tiled photocopies serve as a sort of underpainting. The Humanscape shown on the right, one of a series by Michael Lewis and Nena St. Louis, is a meticulous collage formed from architectural elements.

The most interesting applications of the photocopier lie outside the normal range of the machine. Copy artists routinely use the degradation of multiple-generation copying for interesting effects. They move objects as the light bar sweeps by to create distortions and dissolves. On a color copier, motion adds colors not present in the original. Some wilder techniques involve human bodies, animals (geckos are good, cats will do), mirrors, and fire!

Finally, conceptual artists play with the philosophical issues raised by copy art: authorship, authenticity, uniqueness. One well-known piece is a random book, consisting of multiple-generation copies of a blank page; the first page is white and the last one black.

Xerox PARC hosted a copy art show in 1993 with over 100 artists from six different countries. The catalog shown above (designed by Ylva Hagner three years before she disappeared) is available for free. Contact Marshall Bern.


Michael Lewis and Nena St. Louis, Humanscape

This page updated December 1999 / bern@parc.com